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CLICK TO MAKE SOME MUSIC
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via andre bagoo
Posted on July 25, 2011 via toomucheyes with 7 notes
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A Short Course in Indigenous Feminism
Online Articles:
Indigenous Feminism Without Apology, by Andrea Smith
Jennifer Nez Denetdale on Indigenous Feminisms
An Indigenous Perspective on Feminism, Militarism, and the Environment, by Winona LaDuke
Zapatismo and the Emergence of Indigenous Feminism, by Aida Hernandez Castillo
Academic Journal Publications:
Wicazo Sa Review “Native Feminisms: Legacies, Interventions, and Indigenous Sovereignties,” guest edited by Mishuana R. Goeman and Jennifer Nez Denetdale
Whiteness Matters: Implications of Talking Up to the White Woman, by Eileen Morton-Robinson
Race, Tribal Nation, and Gender: A Native Feminist Approach to Belonging, by Renya Ramirez
Introduction: Special Issue on Native American Women, Feminism, and Indigenism, by Anne Waters
Patriarchal Colonialism and Indigenism: Implications for Native Feminist Spirituality and Native Womanism, by M. A. Jaimes Guerrero
Dismantling the Master’s Tools with the Master’s House: Native Feminist Liberation Theologies, by Andrea Smith
This may be missing:
Who Is Your Mother? Red Roots of White Feminism by Paula Gunn Allen
(via crunkfeministcollective)
Posted on July 19, 2011 via think on this. with 399 notes
Source: abbyjean
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Oppressed groups are frequently placed in the situation of being listened to only if we frame our ideas in the language that is familiar to and comfortable for a dominant group. This requirement often changes the meaning of our ideas and works to elevate the ideas of the dominant groups.
Patricia Hill Collins, Black Feminist Thought, (New York: Routledge, 2000), p. vii (via extravagantpromises)(via strugglingtobeheard)
Posted on July 18, 2011 via spinsterette with 67 notes
Source: preciousdivineenergy
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I like behind the scenes shots like these.
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(from a t-shirt co / tv show - but the sentiment is what really matters)
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the democratization of making video games
interactivity fascinates me - allowing anyone to generate potentially lucrative interactive content … tell me more!
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sayitasitis: “Every day we slaughter our finest impulses. That is why we get a...
“Every day we slaughter our finest impulses. That is why we get a heart-ache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled, because we lacked the faith to believe in our own powers, our own criterion of truth and…
Posted on July 6, 2011 via sayitasitis with 8 notes
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And it occurred for me that no one in the hotel, perhaps no one in the neighborhood, was likely to see the film we were making. In fact, I could admit to myself, with unshakable dismay, that it’s increasingly difficult to imagine much of an audience for my movies beyond film festivals, museum screenings, universities, and ‘micro cinemas’ where I’m occasionally invited to show up and answer questions. How did this happen? And how to reach past it? How to get singular, eccentric, personal movies made and seen?

